Publications

25+
Highlights Die Neue Sammlung

The ambivalence between the tension and fragility of the vessels, between the surface texture and form, characterises the work of Rachel Wood. The wonderful surfaces with their subtle structures and colour variances are particularly fascinating. We are very pleased that she is represented in the collection of our museum.
— Dr. Josef Strasser, Senior Curator, Die Neue Sammlung
 

2022 ‘Tactile Interaction’ by Isabel Andrews
Ceramic Review #313

 

2020 ‘Sentient’ by Peter Wilson
Ceramics Art + Perception #116

 

Carved From Nature, author Eddie Curtis
Neue Keramik, Issue 4/17

Her forms have a comfortable, confident irregularity, not forced out of structured symmetry but alluding to it like a tree or a plant might grow, quite organically. It is these qualities together, this combination of form and colour and texture that places her work, makes it recognisably hers.
— Eddie Curtis, Ceramic Artist
 

Working with Robin Welch
Catalogue article for his retrospective exhibition at Rufford Craft Centre, 2007

The outside world seemed very much on the outside whilst my own internal world was growing ever larger. I’d stopped wearing a watch (and haven’t worn one since). My concept of time was marked by coffee time, mealtimes, Robin’s sherry time, Radio 4 hourly beeps, and daylight. Senses were filled by the smell of damp clay, evening cycle rides, country lanes, country veg on curbside stalls, and talk of pumpkin soup.
— Rachel Wood
 
Working with Robin Welch by Rachel Wood web.jpg